Lunar Eclipse

Today is the 2nd anniversary of the release of my Lunar Eclipse pattern!  It is exciting to have designed something that over 850 people favorited, and almost 800 people have downloaded.  I know there aren’t many FOs up on Ravelry, but the pattern is out there.

This week I picked up a ball of Freia Ombre Sport from my stash pile and asked myself why I hadn’t knitted with it yet.  A while back, I knitted this shawl and had wanted to do it in the Lichen colorway, but it wasn’t available.  I love the South Beach colorway as well, but Lichen was speaking to me, so I purchased the sport weight and let it marinate in my stash for a while.

Having knit this yarn up into Lunar Eclipse a couple times already, it may seem silly to do another one, but it is so quick and fun!  This time, I had to follow my own instructions, since it has been a couple of years since I designed it.  That was an interesting experience to be sure, finding out whether I understand my own instructions.  So far, so good.

The Brisket Cable has been neglected in my versions of this scarf so far, so this time I’m making sure to include it.

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Three-ply yarn from my Turkish spindle

I’ve been playing with this Turkish spindle since last October, when I picked it up at the Southeastern Animal Fiber Fair (SAFF).  A friend turned me on to it, and I purchased one right after she did – I loved the feel of it, and the light weight, plus the magic of disassembly that leaves me with a center-pull ball at the end.

I was happily spinning away when I realized I had never learned to chain-ply properly.  In the midst of my research, I discovered a video explaining how to spin and chain-ply at the same time (well, almost – spin a segment, chain-ply, then wind your yarn on, then spin again …), but this is a next step, as I had already developed a medium-sized cop.  (I also consulted this Abby Franquemont / Interweave video on Turkish spindle spinning in general.)

The fiber origin is a bit of a mystery, but feels like a not-too-crimpy plain old wool: no merino, silk, or other additives.  I acquired it at a fiber guild auction at which some of the members were working to re-home and divest a large fiber supply of a woman that had passed away.  The only note was the total weight of the fiber.

The single is S-spun and (therefore!) the 3-ply is Z-spun.

Final result (so far – I have 7.5oz of the stuff) is 49g of worsted-weight three-ply yarn that looks good enough to me!

This morning, I started another batch, and it took me around an hour to spin 7g.  Over the weekend I spent 1+ hours plying.  So an almost-50g ball requires around 8 hours of work to complete.

Fun sock yarn!

Every once in a while I think I’m going to start blogging again. Life has been happening and really getting in the way. But I’m hoping that now, being relatively settled again, back in the US but in a new location, it will be a good time to dig in to this blogging thing that I enjoyed so much for many years.

I’ve been posting over on Instagram semi-regularly, and I know people love the visuals, so that’s what I’ll focus on here for now. There isn’t a cross posting option, so if you want to follow me here, I recommend you do it through WordPress or whatever your blog reading platform is. On Instagram my handle is @heatherknots.

On to the pretty picture portion of the show! This is my fun mindless knit of the moment – Sock #1 of my Pairfect set with a Regis yarn collaboration with Arne and Carlos.

I’m a tiny bit worried my foot is too long for this yarn to accommodate my toes… but, updates to follow!

You can see that I used a heel flap construction. The main reason I don’t use whatever method pictures on the label is that the circumference of my heel around to the front of my foot/ankle along that diagonal is quite large and, being risk-averse, I wanted to ensure my foot will make it into the sock when it’s finished!

Other construction notes: I cast on 78st on #1US needles. I began with 72 maybe, but the pattern didn’t work out. The ribbing is 72st, since I only ripped back to the beginning of the stockinette. Generally I will also decrease further for the foot to fewer stitches than for the leg, since my feet are more slender than my calves. So the foot will be only 64 st.

America. We Need To Talk.

This past week I intended to parade more photos of blocked finished objects on the blog.  Instead, I spent the week mourning the deaths of citizens and police officers.  I’ve had to take a break from Facebook and only visit in short periods, preferring the eye candy of Instagram, after the first three days or so of responses.

My take on all of this is, America, We Need To Talk.  Seriously.  We need a literal or figurative Coming To Jesus about this issue of racial violence perpetrated by the State, and the perceived need for retaliation.

Can we acknowledge that despite our country being birthed in a spirit of Some Animals Are Created More Equal Than Others (according to George Orwell), the time has come to move past this premise?  Can we acknowledge that many of the current laws, law enforcement cultural conditioning and assumptions were birthed in a time when slavery was not long past and women may or may not have yet won the vote?  These assumptions are outdated, but they survive.

Can we acknowledge that we as a society are divided and wounded, and that it will take deep cuts to reach the poison, but that this is the only way to heal?

If we cannot acknowledge, and believe it when we say it, that we do not yet live in a post-racial society, that the echoes of a history of slavery still reverberate, that people are still afraid, which is irrational, so difficult to counter, and yet unwarranted, then we cannot move forward.  If we cannot look at the cold, hard, facts and say This is Unjust: the disproportionate police stops, frisks, imprisonments, and deaths of people of color; if we cannot know and understand that laws governing drug arrests and sentencing were born out of racial stereotypes and perceived threat to white women (property of white men), and stand up and say This is Unjust; then we are destined to fail as a society.  We are destined to fail to heal, fail to understand, fail to excise the poison, and fail to thrive.

I am tired on behalf of all of us that have ever felt the need to protect the feelings of someone more privileged in society, be it based on gender, race, religion, sexual orientation, socioeconomic class, or wielding of financial and political power.  I am tired of protecting the privilege of those that have always had more power.  I am thankful for white male allies that do not accept the current patriarchy as the only possible paradigm.  But I am also tired of the surprise each time some horrific event transpires (or some event that turns into three – or more – awful national events in one week) and the cycle of acceptance and exhaustion that leads us to ultimately tune out and attempt to move on.  I’m tired of the nay-sayers of white fragility that have chosen not to develop the compassion necessary to be shocked when they learn of others’ experiences, and due to discomfort or perceived threat choose instead to silence the other.

The fact is, nothing has truly changed if we only react with a sad-face on Facebook.  The most important communications I’ve seen this past week have been the lists of concrete actions we can take to change the manner in which law enforcement is implemented in our local communities.

And – we need to have more discussions about the underpinnings of our laws.  Is it still assumed that black men consume coke and, on it, are a threat to white women (property of white men)?  Is it assumed that Mexican men consume an outsized quantity of marijuana and (see last sentence)?  Is the law still on the books in the state of Ohio, for example, that assumes women are the property of some male family member by categorizing rape under property law and damaged goods?  Is it still legal in Texas for a man to rape his wife?

We need to talk about colonialism.  We need to talk about slavery.  We cannot look at the current state of our society, from either the perspective of the minority or that of the privileged, and say this has not influenced our thinking, our behavior, the very assumptions upon which our laws are built.  We are not “colorblind.”  We are not “post-racial.”  We need to decide whether we care about our neighbors, about violence in our communities, about what it means to continue to tacitly permit extrajudicial beatings and killings in a country whose privileged masses collectively think we are the greatest democracy in the world.

When we hear the slogan, “Make America Great Again,” it should not engender a vision of the antebellum South in which white men had the weapons and wielded them over their women, children, and slaves.  It ought to be a phrase that begs a vision of a freedom to life, liberty, and the pursuit of happiness for all, as it says in our Declaration of Independence. We ought to assume at this stage that “all men” refers to all humans, and reassert that the purpose of government is to protect our “unalienable rights.”  Let us recommit to that ideal, while understanding that the road is long, the night dark, the struggle has not ended, but that so long as any of us is in virtual or actual shackles, none of us is truly free or safe.

Happy July 4th!

  1. Pendant Stole
  2. Garden Shawl
  3. Fountain Pen Shawl

 

I don’t have anything special planned for today, and it has been a particularly wet weekend here, so I haven’t joined any of the community outdoor activities either.

But I began watching the “John Adams” miniseries, and while I don’t often feel particularly patriotic, the luxury of living in a free nation I suppose, it makes a big difference to watch a version of history that makes it real.  I feel more connected when I can connect to historical figures through their characters as they are represented on the screen, and to understand the reality of their daily circumstances in the months and years leading up to independence from Britain.

Of course, every account, especially one presented on the screen, is biased and fictionalized to some extent, but I believe that we can learn a lot from fiction, too, and many fiction writers write to teach and to convey a message.  In this case, it is to understand in a way that allows me to put myself in the shoes of some of these historical figures the reasons that they needed to express in a document the truths they held to be self-evident.

Having lived in countries in which people are less free, I know the struggle is important.  In this day and age, we as Americans are still struggling to ensure that these truths, about the rights of humans, that our forefathers held to be self-evident, are manifested in each citizen’s reality, regardless of race, ethnicity, sex, gender, religion or sexual orientation.

So it seems a little disingenuous to me to say “Happy” July 4th, but perhaps “July 4th observed and the struggle continued” is more appropriate to echo my sentiments.  Not as catchy, I realize…

Are you celebrating the 4th?  How are you connecting with the historical significance of the day?

 

Dew Drops Shawl in Freia Handpaints Ombre Lace

Process knitter is the term people use for someone like me, I guess: I love to knit, but sometimes the finished product is not the motivation.  So, at any given time, I have 5, 10, or 20 projects on the needles, all in different stages of completion.  Over the past few months I have not been very disciplined in completing projects that were not intended for special events or holidays, but I’ve been on a tear recently to make some projects that had reached the bind-off stage actually wearable.  This past week has resulted in the blocking of four projects already, and there is a fifth underway.

Today I want to show you the project that made me fall in love with Freia Handpaints laceweight.  Originally I saw the Dew Drops Shawl worked up in the lichen colorway at Looped DC.  Sadly for me, Lichen was not available, so I chose South Beach instead.

 

Ravelry project link

I really love how this turned out.  The yarn feels magnificent, stretchy and cozy all at once, but also substantial: I’m not worried about wearing this shawl out and about because I know it can stand up to the wear.  It won’t have to be a special occasion item.  There was so much stretch that I could have taken the top border beyond the edges of my blocking board if I’d had the space.  As it is, the top edge is about 68″ across, and the point of the triangle is deep enough to cover my back, which will be fantastic for any trips to drafty or high-AC restaurants.

As I was knitting, my cat spent a lot of time with me.  I would gaze into his eyes to reassure him of my love – because after 11 years, he’s still a little insecure at times – and I realized that this colorway mirrors his face.  He has an orange-pink nose, blue-green eyes, and light- to medium-grey stripes.  People often comment on his beautiful markings, but he hasn’t let it go to his head because he’s the sweetest cat ever.

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Sharing the family stash

Over the winter I was recovering.  The past three years were stressful and traumatic for reasons I won’t go into now.  Suffice it to say, recovery for a knitter involves an awful lot of time in the kitchen or living room starting new projects.

I worked on some lace, including a feather-and-fan throw blanket, one of the few projects I picked up consistently while binge-watching whatever I could find on Amazon Prime, and knitted till it was done, unlike the pile of WIPs in my basket.  There were no seams or buttons to stymie me, so it was an easy win.

Ravelry project link

This blanket came from a batch of yarn my mom’s cousin sent me.  Like many of you, I don’t need any help collecting yarn, but I know her good taste and couldn’t refuse when she offered to send me two boxes of her stash.  There were six pairs of wool and mohair skeins, which seemed like they were destined for a specific project, but she could not recall what.  The yarn was familiar to me: we had purchased some together in New Hampshire ages ago to make these longways garter stitch scarves with fringe automatically included:

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Ravelry project link

It didn’t click until I was halfway through the throw that each yarn pairing was intended for a scarf!  I have about half the yarn remaining, so maybe P will get a rainbow throw one day as well.

Most of what she sent was too fine for her to knit, since she has struggled for a long time with rheumatoid arthritis.  There were a few patterns included, so I have offered to knit some up and send them back to her, including this Cable and Lace Raglan from Willow Yarns.

The yarns from the scarf and blanket are from Ward Brook Farm in Candia, NH.  I couldn’t find a website for them, but the Seacoast Harvest Local Food Guide website says this about them:

Sheep farm with a menopausal flock of retired laid back ewes that give wool. The wool is used for spinning supplies, yarn, dyed and spun. Dyes yarn in rainbow colors – the kind you can’t get in a yarn shop.

Hah!

One skein of Freia Handpaints Ombre Sport will get you…

I’ve knitted a shawl and a couple of diagonal scarves in Freia Handpaints that will appear here post-blocking, and now I tried the Ombre Sport for the first time with the Lunar Eclipse pattern.

I think this is the sixth version I’ve knitted so far, and the first one with shifting color.  The arc gives it the familiar stripe going in one direction, shifting from top to bottom, and the edging turns that perpendicular so the shifting color direction is more side to side (sort of – with a crescent shape, all bets are off, as anyone that has tried to drive around New Orleans without a map can tell you!).

Here is a gallery of photos of the hottest off the needles Lunar Eclipse!

 

 

 

Dyeing a little inside

The other day I attended a workshop at The Scrap Exchange, with artist Katherine Soucie, who specializes in (among other things) acid dyeing pre-consumer industrial waste.  I wasn’t sure what all that meant, but essentially we ended up with a giant pile of white nylon hosiery in various manifestations that we tied, scrunched, clamped, and otherwise threw into dye pots of all colors of the rainbow.

We learned how to mix up our dye solutions from powder and water and a little bit of Synthrapol (industrial soap), heat up our dye pots, and watch the magic happen in a no-waste method including re-using dye pots multiple times for different colors.

Fortunately other workshop attendees were experienced creative types that pulled out PVC piping and tie-dyeing techniques to produce some really interesting results!

 

The artist dyed a wall full of industrial waste fabric in the week leading up to the workshop and used it to create an exhibit in the Scrap Exchange’s Cameron Gallery.

I’ve been intrigued by her use of this material as fabric from which she has created amazing patchwork fabrics that have been sewn into wearable fashion.  Check out some of her fashion portfolio here.

Lunar Eclipse – free pattern download!

Over the past few months, I’ve been working off and on on this pattern, Lunar Eclipse, which has been a really fun exercise in what to do with one skein of luxurious yarn.

From the Mountain asked me to design something with a skein of their worsted weight cashmere, which is hand-spun in a fair-trade agreement with Afghan women.  The stuff is beautiful.  It is a soft, two-ply fiber in a variety of natural colors, including ecru, grey, and several shades of brown.

The final result was this initial offering:


 

And then Abby asked me to add two additional edgings:

You could add your own edgings to this template – we’ve offered it in three charted patterns, two originally from Barbara Walker and one from Book 4 of The Stitch Collection by Lark Books.

This is a free Ravelry download, so feel free to share, and please post your final project photos!